I did not
make this
sculpture at
the National
Museum of
Serbia.
100 YEARS STRAY
by SaringROCK
Trans. by Aya Ogawa
Hannah Cornish as
The Blue Demon
Photo by Noah Hull
ABOUT
Padra Crisafulli (they/them) is a theatre artist who bends time, space, and reality to tell stories. They hail from… well, they moved around a lot as a kid between Pennsylvania, New Jersey and Texas. With a BFA in directing from Carnegie Mellon University, they have created, choreographed, scored, and directed works from movement pieces and operas to performance art installations and radio dramas. Their recent work has focused on the surreal impact of loneliness on one’s perception of reality.
As a director, their conception of a production of Ubu Roi was showcased in the Common Design Project at the Prague Quadrennial, representing Carnegie Mellon University. In addition, their direction of the mono-opera PETROV performed in the National Museum of Serbia in conjunction with the Carnegie Mellon School of Music. They have worked under Aya Ogawa and Haruna Lee on the New York Times’s Critics Pick Suicide Forest at the Bushwick-Starr, and observed Scott Elliott with the New Group production of Jesse Eisenberg’s Happy Talk.
Under the moniker “neutruhl”, Padra works sonically in the forms of sample-based compositions and music production. They are currently developing a series of lo-fi suites exploring the intersection of consciousness and nature.
PETROV
Music by Ivan Plazacic
Libretto by Alex Taylor
Joanna Sandler as
Stanislav Petrov
Photo by Ivan Plazacic
NEPENTHE
Written and Directed by Padra Crisafulli
Cameron King as
Lynne
Photo by Sarah Connor
I did not
make this
sculpture at
the National
Museum of
Serbia.